Photo quality · Pro

Move the light after the shot.

Change where the light comes from and what temperature it is, with the subject, pose, background and framing held exactly.

Relight a photo

Free to try. No card required.

The same subject before and after cool light changed into warm directional light
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Before and after cool light changed into warm directional light
Before and after of portrait lighting changed to a warm side lightBeforeAfter

Before and after

Move the light after the photo

The original stays beside the edit, so you judge the tool on the same person, pose and camera angle.

Try lighting editor

How it works

  1. Side-by-side example of cool light changed into warm directional light
    The complete change, shown side by side

    Add a portrait

    Works best where the existing lighting is flat or coming from an awkward direction.

  2. Another example of cool light changed into warm directional light
    A second result on a different subject

    Choose a direction and a temperature

    Front, left, right, above, or behind for a rim light. Warm, cool or neutral.

  3. The same subject before and after cool light changed into warm directional light
    Loading preview…
    Before and after cool light changed into warm directional light

    Only the light changes

    Identity, features, pose, expression, clothing, composition, background, camera angle and framing are all named as fixed.

What you get

Lighting you would have needed a studio for

  • Light clearly originating from the direction you picked, with shadows falling correctly.
  • Colour temperature set, with realistic skin tones held through the change.
  • Background, camera angle and framing untouched.
  • A result that reads as lit rather than as filtered.
Before you spend a credit

Where this struggles

Existing shadows constrain it

Light already falling hard from one side leaves shadow information that has to be undone before new light is added. A flatly lit photo is the easiest case.

Hair and edges are hardest

Relighting has to decide what happens at every strand. Fine or flyaway hair against a background is where a relit portrait most often gives itself away.

Not a background change

The background stays exactly as it is, which can look inconsistent if you move the light a long way. Small moves read better than dramatic ones.

Pro only, deliberately

This needs the stronger model to hold a face together while changing every shadow on it. On the standard model it mostly produces a bad result.

Before you decide

Worth reading first.

The useful context, trade-offs and photo advice, before you spend a credit.

Privacy by design

Your photo stays yours.

Uptone edits your own photo rather than generating someone who resembles you. It never scores how you look, never calls a feature a flaw, and every trait it infers stays yours to correct.

Our safety promise
Ready when you are

Move the light after the shot.

Try it on your own photo and judge the full-size result for yourself.

Relight a photo

Real comparisons and finished looks · continuous loop

See lighting editor in motion.

The moving cards wipe between a real before and after. The still cards are finished looks, and the full strip scrolls continuously.

Good to know

Questions, answered.

What this edit changes, what stays fixed, and where the result still depends on your original photo.

01Why is this Pro only?

Relighting has to keep a face consistent while changing every shadow on it, which needs the stronger model to hold together. On the standard one it mostly produces a result you would not want, so putting it on the free tier would mainly waste people's looks.

02Can it turn a night photo into daylight?

Not convincingly. It changes direction and temperature within the light that is there. A photo with almost no light has nothing to redirect: brighten it first, then relight.

03Will the background change?

No. Background, camera angle, framing and composition are all held. That does mean a large change in light direction can look slightly inconsistent against a fixed background, which is why small moves read better than dramatic ones.

04What does the temperature setting do?

Warm, cool or neutral shifts the colour of the light while keeping skin tones realistic. It is the difference between an indoor tungsten feel and an overcast one, applied after the fact.

05Which photos work best?

Flatly lit ones. Where light is already falling hard from one side, the existing shadows have to be undone before new ones are added, and that is the harder problem.

06Why does my hair look odd at the edges?

Relighting has to decide what happens at every strand, and fine or flyaway hair against a background is where a relit portrait most often gives itself away. It is the current weak spot of this tool.

Retouching is one half of what Uptone does. The other is trying a full makeup look on the same photo.

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